The Brass Chamber Music Society of Annapolis
ARTIST SERIES CONCERT
APRIL 28,1985
featuring
THE CHARLIE BYRD TRIO
APRIL 28,1985
featuring
THE CHARLIE BYRD TRIO
Charlie Byrd, Guitar Joe Byrd, Bass Chuck Redd, Drums
and
THE ANNAPOLIS BRASS QUINTET
Dave Cran, trumpet; Wayne Wells, trombone; Arthur Brooks, horn; Rip Posten, bass trb & tuba; Bob Suggs, trumpet
THE ANNAPOLIS BRASS QUINTET
Dave Cran, trumpet; Wayne Wells, trombone; Arthur Brooks, horn; Rip Posten, bass trb & tuba; Bob Suggs, trumpet
First Collaborative Performance
April 28, 1985
April 28, 1985
A note of thanks from the ABQ
We thank former Naval Academy Band trumpeter Nathan Wilensky for providing us with the following recordings
which he had taped from the 1985 WBJC FM broadcast of this concert.
The ABQ is especially grateful to have a recording of the world premiere of "Byrd & Brass" by Warren Kellerhouse.
We thank former Naval Academy Band trumpeter Nathan Wilensky for providing us with the following recordings
which he had taped from the 1985 WBJC FM broadcast of this concert.
The ABQ is especially grateful to have a recording of the world premiere of "Byrd & Brass" by Warren Kellerhouse.
And now, we invite you to listen to a sampling from this historic concert: "Salutations" by Jack End for brass quintet; "Spanish Renaissance Suite" in a setting for guitar & brass; and the ANNAPOLIS BRASS QUINTET & CHARLIE BYRD TRIO world premiere of C. Warren Kellerhouse's "Byrd & Brass" written especially for this performance.
SALUTATIONS
by JACK END
for brass quintet
Slowly & Briskly
Read More: Jack End
To hear Salutations TAP > AUDIO BAR BELOW
(There may be a 10-20 second delay before sound begins.)
by JACK END
for brass quintet
Slowly & Briskly
Read More: Jack End
To hear Salutations TAP > AUDIO BAR BELOW
(There may be a 10-20 second delay before sound begins.)
SPANISH RENAISSANCE SUITE
Guitar & Brass
Pavana (1552) by Diego Pisador (c.1509 - c.1557)
Pavan (1536) by Luis Milán (c.1500 - c.1561)
Danse Chantée (1581) by Mateo Flécha (c.1530 -1604)
Pavan (1536) by Luis Milán
Pavan (1536) by Luis Milán
Galliard (1546) by Alonso Mudarra (c.1508 -1580)
Read More: Spanish Renaissance Music
To hear Spanish Renaissance Suite TAP > AUDIO BAR BELOW
(There may be a 10-20 second delay before sound begins.)
Guitar & Brass
Pavana (1552) by Diego Pisador (c.1509 - c.1557)
Pavan (1536) by Luis Milán (c.1500 - c.1561)
Danse Chantée (1581) by Mateo Flécha (c.1530 -1604)
Pavan (1536) by Luis Milán
Pavan (1536) by Luis Milán
Galliard (1546) by Alonso Mudarra (c.1508 -1580)
Read More: Spanish Renaissance Music
To hear Spanish Renaissance Suite TAP > AUDIO BAR BELOW
(There may be a 10-20 second delay before sound begins.)
World Premiere
of
Warren Kellerhouse's
BYRD & BRASS
Written especially for the
CHARLIE BYRD TRIO & ANNAPOLIS BRASS QUINTET
1. Allegro Bossa
2. Nostalgia
3. Silopanna Samba
To hear Byrd & Brass TAP > Audio Bar Below
(There may be a 10-20 second delay before sound begins.)
The composer offers the following notes.
Byrd and Brass is a suite in three parts for brass quintet, jazz guitar and rhythm.
The first part, "Bossa Nova," is a lyrical medium tempo piece in A minor, employing the Brazilian rhythmic theme that is the basis of many Latin/rock Bossa Nova and Rockanova tunes. The basic feeling of "2" is an ideal, unencumbered vehicle for jazz improvisation, realized here by the guitar. The ensemble introduces the theme (AABA), and the guitar develops it in the improvisational sections.
The second part, "Nostalgia," is a slow melody, bitonal piece in 3/4 pitched in B flat major. The melodic ideas developed contrapuntally by trumpet and guitar are supported by a harmonic framework based on shifting tonal centers. The piece ends on a rather ambiguous D flat sonority, standing in dominant relationship to the third section, and the ensemble restates it ending quietly on an A minor major seventh sonority.
“Bright Samba” in a very fast “2” features guitar and horn stating the theme, followed by an extended improvisational section performed by guitar, bass and drums. Guitar and horn in unison then trade comments with the remainder of the ensemble, and all forces join to finish the suite in a dramatic climax.
Read More: C. Warren Kellerhouse
Byrd and Brass is a suite in three parts for brass quintet, jazz guitar and rhythm.
The first part, "Bossa Nova," is a lyrical medium tempo piece in A minor, employing the Brazilian rhythmic theme that is the basis of many Latin/rock Bossa Nova and Rockanova tunes. The basic feeling of "2" is an ideal, unencumbered vehicle for jazz improvisation, realized here by the guitar. The ensemble introduces the theme (AABA), and the guitar develops it in the improvisational sections.
The second part, "Nostalgia," is a slow melody, bitonal piece in 3/4 pitched in B flat major. The melodic ideas developed contrapuntally by trumpet and guitar are supported by a harmonic framework based on shifting tonal centers. The piece ends on a rather ambiguous D flat sonority, standing in dominant relationship to the third section, and the ensemble restates it ending quietly on an A minor major seventh sonority.
“Bright Samba” in a very fast “2” features guitar and horn stating the theme, followed by an extended improvisational section performed by guitar, bass and drums. Guitar and horn in unison then trade comments with the remainder of the ensemble, and all forces join to finish the suite in a dramatic climax.
Read More: C. Warren Kellerhouse
POSTING PREVIEW
April 25, 2020
BYRD & BRASS Concert - January 27, 1987 - Reston, Virginia
Live Broadcast on National Public Radio
Jazz in Performance Series
Byrd & Brass
1985 - 1994
35th Anniversary of the first ABQ/Charlie Byrd Trio
Collaborative Concert
April 28, 1985
April 25, 2020
BYRD & BRASS Concert - January 27, 1987 - Reston, Virginia
Live Broadcast on National Public Radio
Jazz in Performance Series
Byrd & Brass
1985 - 1994
35th Anniversary of the first ABQ/Charlie Byrd Trio
Collaborative Concert
April 28, 1985
FOSTERING BRASS JAZZ CHAMBER MUSIC